Martio Algaze, Cotton Candy, San Angel, Mexico, 1981.
I wish I could fly to Miami, not just for the warm sun or cool nightlife but to view an art exhibit: a retrospective of the work of Cuban-American photographer Mario Algaze. The artist deserves a greater reputation than he currently enjoys. He’s done for Latin America what Ansel Adams did for the American West: he’s brought it to life with still photography. Algaze’s black-and-white photographs focus on street scenes with everyday people and capture the essence of cultures still foreign to most Americans. His images are free of the social and political commentary one might expect from an exile that fled Communist Cuba. This fact makes his art particularly appropriate to consider in light of President Obama’s recent announcement that the US Government will restore diplomatic relations with the island nation.
One of Algaze’s best known photographs shows a solitary figure shouldering a giant column of individually wrapped balls of cotton candy, reminding me of an ant carrying a piece of corn on the cob. The face and upper body of the person are hidden from view, but a close inspection reveals a thick-waist and flowing skirt sticking out from under the oversized burden. The shadows suggest the woman is walking in the midday sun. There are no other people in view. No man-made objects lying around. A few feet in front of her a scrawny tree grows out of the pavement. The cotton candy seems out of place in the sparse landscape. Is there a fair nearby? How far must the woman walk to sell her sugary snacks? The image is as delightful and sticky as the confection.
A Respect for Light: The Photography of Mario Algaze is on display at HistoryMiami, 101 W. Flagler Street, until January 18, 2015.